The Program 2024 der Gallery Solito wird with the Eröffnung of the Einzelausstellung of American Künstlerin Lindsay Merrill with the title Moving targetsKuriert von Vincent Vanden Bogaardcompleted. Merrill waits for the first time in Italy with new work that is special for dying Gallery S2 in Piazza Bellini be conzipiert.


In her work, Lindsay Merrill presents a richly visible motivation through – brennende Autos, Kruzifixe, Waffengeschäfte und Weihnachtsdekorationen voor de Außenbereich – a porträt des country America zu koop, the ideal moment, aber fuller Angst, Trägheit und Widersprüche ist.


Die Ölgemälde say Szenen aus der Heimatstadt der Künstlerin in West Virginia and there are a number of American experts working from the United States George Ault (1891 – 1948), so through the details and distances still during my tour of the pastoral Americas. In “Crosses” Kreuze has a Strommast and an untouched Hügel; In “Fire” you will find a living vehicle on the road, the charred vehicle stößt toxic wastewater in a blue sky. “We Buy Guns” said a Waffengeschäft in his nachbarschaft: It was a Haus war, a war in a Waffen- and Munitionsladen detoured. Geschmückt with a painting of plastic flags and vinyl painting is with the solution of the purchasers the solution of the paint, which has painting options with a variety.


Zwischen diesen hat Merrill Darstellungen von Weihnachtsdekorationen aus Gärten eingefügt. Diese Objekte, die in den United States With the 20. Years of popular history, other religious symbols turn into molded plastic products, typical of American America, and in an iconography, the Saint and the Martyr in colorful three-dimensional cartoon figures. There are many kind people, who often experience the dramatic consequences of American history while living out American history; In the large and the materials, if it is the best, the knitting economics reflect the best America’s broader, which with a typical Vorstadtlebensstil sind. During the period when Merrill was created, these figures were still used in the American economy, making one of the business activities of such a company possible. This tension is the best in the work, that the Ausstellung ihren Titel gibt, “Moving Targets”, veranschaulicht, in the Weihnachtsmann and sein of Rentieren suctioned Schlitten a complex Szene purchase, that the Dach a geschlossenen Waffengeschäfts überragt, that is nur vom goldenen Light of the Nachmittags erleuchtet word.


The shaped and shaped plastic figures, which work in all forms of work, are characteristic, with the right motifs for the right titles of works Shine (Glanz). Here Merrill interpreted Henri Rousseau’s “Der Krieg” (1984) in a new way, in which the weibliche Hauptfigur verwandelt in a Plastikrentier, da über een Wiese galloppiert, with a bright Horizont in the background. The relaxing and mobile figures have an autonomy and self-confidence, while the figures in other works fehlt, it cannot now be any concrete that illuminates the previous flames.


While all the motifs in “Moving Targets” still reflect the changes in the American Reality was interpreted, studied by the Gemälde das Konzept der Vorläufigkeit auf breitere Weise. In this sin the work has only just begun with the Vorstellungskraft of the Künstlerin, it is possible that one of the most typical American cultures and landscapes is a typical American culture and landscape, that is a standard weiterentwickelt. The Genauigkeit of Merrills Pinselstrich and the Nüchternheit in the Blicks continue to find details about the air that is found; However, one of the artists refuses this leightiness. Stattdessen führen uns Merrills Gemälde z einer Auseinandersetzung mit Situationen and Orten, die wir bereits zu know glauben – Dorfgeschäfte, Straßenaltäre and fröhliche Christmas decorations – and loaded one, see in all its Fremdartigkeit, ihrem Geheimnis and ihrer Laat it doesn’t happen.


Lindsay Merrill and the Kurator Vincent Vanden Bogaard were invited during their research.


Lindsay Merrill (1987, Redwood City, California) received a Bachelor of Fine Arts from Carnegie Mellon University and a Master of Arts in Social Studies from the University of Denver. I checked out “Wax Moon Faces” at the Scroll Gallery in New York and “Another Night” at the Smart Objects in Los Angeles.


Lindsay Merrill lives and works in Philadelphia and West Virginia.


Vincent Vanden Bogaard (1986), an older and young Belgian Kurator with a great interest and a great influence on the market, is an incomprehensible berater, who at the height of the Zeit a strong science and a strategic vision for the market for the time-bound art radiates.


Die Gallery Solito Nimmt an der first Ausgabe des Napoli Gallery Weekend teil, das vom 13. bis 15. Dezember 2024 stattfindet. The Veranstaltung, the time of art gewidmet ist, one of the most rapid experiences of the Neapolitan Gallery, which in the Lafe of the Years has played a wesentliche Rolle in the time of art in Neapel.


See Lindsay Merrill’s “Moving Targets” in the historic Galerie S2 at Piazza Bellini 59 with “The Itch”, the Ausstellung by Morteza Khakshoor, in the Galerie S1 in the complex of the evil Wollfabrik at Piazza Enrico De Nicola 46 zu view signal. The initiative participates in the creation of the map “Contemporary Art Galleries in Naples 2024”, the further costs in our work and other exhibitions are high.


The Formel der Gallerie Solito is one of the most important partners of the Mark Solito in a new era, a small Holding, which has developed a digital platform (a project, a ministerial law for cultural creation that has been won) and which in 2011 received an official Verlagslabel has been given. The market rebranding and repositioning project and visual representation of Linie with Hapto Studio in Mailand have been improved. All initiatives were included on the website galleriasolito.com. One of the thanks to the digital Lanificio, the Open Innovation HUB, the digital platform for Solito’s activities, and the ANGAMC – Associazione Nazionale Gallerie Arte Moderna en Contemporanea.


Lindsay Merrill – “Moving Targets”


Kuratiete von Vincent Vanden Bogaard


December 12, 2024 – February 14, 2025


Opening day at Donnerstag, 12. Dezember 2024 – 7:00 PM


Solito – Galleria S2


NEA – Via Costantinopoli 53 – Piazza Bellini 59, Neapel


Montag – Sonntag > 10am – 12pm


galleriasolito.com | info@galleriasolito.com


Gallery Solito – 081 304 19 19


Responsible for Communication and Press: Marco Polito




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